Production aspects of Expressionist theatre (from theatre) --� Encyclop�dia Britannica:
"The Expressionist stage neither simulated reality nor suggested unreality. It existed in its own right as the platform from which direct statements could be made. Settings therefore tended to be abstract or, when specific, highly subjective. Techniques of distortion and incongruous juxtaposition expressed either the ideological position of the director or dramatist or the state of mind of the protagonist, or both. In Expressionist plays the walls of houses might lean at sharp angles, threatening to crush the protagonist; windows might light up like eyes spying on the secret and intimate; trees might take on the shape of the skeleton signifying Death. In this way, instead of simply forming the milieu for the action, the setting became a dramatic force. "
Thursday, June 15, 2006
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